Archive for June, 2007

Exclusive Interview With The Voice Actor Behind The Count In “The Count Of Monte Cristo”

Friday, June 29th, 2007

I
have to admit that I used to be a "strictly subtitles" fan, but that
all changed when I heard the voice actor who did Mido Ban in GetBackers when
Animax made the decision to go all English dub. As time passed, I was
astounded by how much he grew as an actor. To say that he grew by leaps
and bounds is an understatement. The fact that he is able to do justice
to such varied but wonderful roles as The Count in The Count of Monte Cristo, Kuwabara in Yu Yu Hakusho, Shimada Kanbei in Samurai 7 and Hana in Tokyo Godfathers is proof enough of how talented and versatile he really is.

   

It
is the dream of every writer to be able to interview the people they
admire. Needless to say, I am so very happy that RUSSELL was so
gracious enough to answer my questions.

   

So…do you want to know how it is to be an Animax dubber? Let Russell show you how it’s done! ;-D

   

* * * * * * * * * *

   

Voice
acting is a very unique career. Why did you choose to go into this
profession and how many years have you been a voice actor?

To
be honest, I kind of fell into voice acting; I was working a gig at a
theme park and one of the other actors there told me about an audition
at a recording studio. I was lucky enough to get cast as part of the
team and have been here since about 2003.

What university course should one take to become a voice actor, and how many years does it take to study /train to become one?

I
have a degree in Theatrical Performance and Production, but I suppose a
university education isn’t really necessary to become a voice
actor.  What you need is a good foundation in acting and
improvisation.  Improvisation will make you learn quickly, and
dubbing in particular is based a lot around speed and timing. So, how
long does it take to become a voice actor?  Everyone is different.
Some people are good at it right away and some folks really need to
work at it. I’d say someone who works at it can get the basic technique
down in a couple months but, since every character you play is
different, the learning never stops.

What
was it like the first time you went into the studio to dub? For which
anime was it and who’s the character you’re playing? How difficult was
that first attempt for you?

The first time I stepped into
a dubbing studio I was terribly nervous. I don’t even think it was an
anime.  I think the first thing I dubbed was a Hong Kong Kung Fu
movie I guess I played Thug #1 — lots of "Oof" and "AAAUUGH"
reactions, with a couple "Yes sir’s" thrown in for good measure.

My first actual anime was a series called Daigunder,
in which I played two characters: Eagle Arrow and Ginsome.  It was
a great piece to learn on because all my characters were robots with no
mouths! Even so, I remember being quite frustrated, because all the
other dubbers were much more experienced than I was, I felt like I was
holding them all back whenever I made a mistake, which was a lot. ;-)

How
would you describe a typical dubbing day for you? Do you have to do
additional research (such as reading the actual manga) in order to get
the right "feel" for the character?

Between
the time I wake up and travel to the studio I try to warm up my voice
and my enunciators (my mouth, lips, tongue, etc.), I’m sure the folks
on the bus think I’m nuts. We generally start the day at ten in the
morning, with the goal to get about four episodes done. This may sound
like a lot, and it is, but we are always pressed for time.

Some
of you may be disappointed with this answer… but … the most research I
generally do, is read the Wikipedia entry regarding the anime if it’s
available.  We are often cast in a new series when we show up to
the studio, so we have no way of knowing in advance whom we will be
portraying in the new series. Remember what I said about improvisation? ;-) In the world of Television, the deadlines are tough. I am always
surprised to see a cartoon I dubbed less than a week ago, have already
being aired on Animax. The director generally helps out by giving us a
few clues about the character, and we always listen to the original
Japanese voice prior to dubbing.

I
noticed that there are times that you would have to dub different
characters in one episode. Do you dub these characters individually
(like you dub one character first, then when you’ve finished all the
lines, you move on to the next?) How long does one typical dubbing
session take, especially when you have to do multiple characters?

Yes,
occasionally we are doing multiple characters in the episode.  If
their dialogue doesn’t overlap, it is possible to do both characters at
the same time, switching voices back and forth. Other times, like when
I’m doing a difficult voice for one character, I do one first and then
go back and "pick up" the second voice. A typical dubbing session lasts
about one and a half to two hours per episode.

Are
there any specific health measures that you take to protect your voice?
What particular instances are you not allowed into the studio?

Well,
most importantly you should train your voice.  A solid acting
course should cover vocal technique. Voice training helps you to place
your voice correctly for projection, pitch, or for screaming. We scream
a lot in anime if you haven’t noticed. A full day of loud screaming can
leave my throat feeling like hamburger meat, even if I use it
correctly.

Case in point, Yu Yu Hakusho - I played Kuwabara. That guy was never quiet. So of prime importance - voice training.

A
few good voice habits to get into are: drink a lot of room temperature
or warm water to keep your chords lubricated and plastic, warm up
before the job, and try not to hit the town too hard. Alcohol and
speaking over loud music can really tire your voice out. And watch what
you eat, cream sauces and dairy products can leave your voice feeling
thick and hard to control.

Generally I work regardless of rain
or shine. If I am pretty sick, like flu or sore throat or something
nasty, I’ll stay out of the studio.

Which
anime character did you enjoy doing the most? Which character was the
most difficult/challenging? I must admit that one of my favorite
characters that you did, next to The Count, was Hana from "Tokyo
Godfathers". Was it fun doing such a colorful gay character? Also,
among the anime characters you’ve done, who would you say has a
personality similar to yours?

Thank you, it’s nice to
know that there are people out there who like my work. ;-) It’s funny
that you mention those two characters. They are two of my most favorite
characters as well. The Count was quite challenging. Not only was his
low voice difficult to maintain for an extended period of time, he was
complex and portraying his many layers with only my voice was a lot of
fun. Hana in Tokyo Godfathers is perhaps my all time favorite
character I’ve played to date.  She has so much going on, a layer
of feminine artifice that masks the fact that she is a man that wishes
above anything else in the world to be a housewife and mother.
Yes, I think I had the most fun playing Hanna.

Which Anime character has a personality similar to mine? Hmmm. I’m thinking perhaps Eikichi Onizuka from GTO mixed with Sven Volfied from Black Cat, and maybe a little of Hana from Tokyo Godfathers tossed in for spice.

Among the anime projects that you have done for Animax, which would be the most memorable for you and why?

Well, there’s Tokyo Godfathers - as I’ve already mentioned. But I can’t forget Get Backers. Ban Mido was my first main role, and I had a great time playing him. I think he is so cool.

Is there a particular dream anime project that you would like to do? What anime would that be, which character, and why?

I have read the Death Note
manga and would like to be involved in that project, should they decide
to do an English dub. It would be cool to play "L" simply because I
like detectives, and suspenseful stories. If not "L" then the
Shinigami, Ryuk — He is just so weird. ;-)

Many
anime fans have this dream of becoming voice actors themselves. Would
you personally recommend this line of work? What advice can you give
them to get them started in this career?

I would only
recommend this line of work if you like cartoons, making funny voices,
and screaming at televisions. Those are prerequisites for dubbing
anime. ;-) Since I like those three things I recommend my job!

If you would like to be a voice actor, here are a few tips:
1)    Practice your voices - it’s always good to have a few on hand at an audition.
2)    Get some acting training
3)    Do some improvisation
4) 
If you can, put together a voice reel. This is what usually is
going to get you that audition. If you have no work to cut one together
from, make up a reel yourself. Look at other voice actor reels to find
out what they’ve done.
5)    Don’t let rejection get
you down! Unfortunately, the chances are that you will be rejected more
than you will be hired. Competition can be stiff, so keep your chin up
and keep going for it!

The Mystery Behind the Gunslinger Girl Sequel

Thursday, June 28th, 2007

It was reported recently on ANN that, based
on a financial report published in the website of production company
Marvelous Entertainment, there are plans to produce a sequel to the
popular anime Gunslinger Girl. At present, the manga by Yu Aida
is still ongoing, with eight volumes and 46 chapters so far. It would
seem logical that a sequel would be made. However, Marvelous
Entertainment later on deleted that particular portion of the report
from their website.

       

According to a
source, that particular bit of information was never supposed to have
been made public. But there ARE plans for a Gunslinger  Girl sequel. However, it is unsure if this particular project will still  push through this year because of this information leak.

Guess Who’s Doing a Cameo on Doraemon?

Wednesday, June 27th, 2007

Anime fans have long anticipated the latest adventures of  robot cat Doraemon and
his friends. Now they have something extra special to look forward to
as none other than Johnny Depp makes a cameo voice appearance in one
episode.

            

How did this come about? According to Shinei Animation, it  was Doraemon director Kozo Kusuba, a huge fan of Depp’s Pirates of  the Caribbean Trilogy, approached the actor for a "dream  collaboration". Depp readily agreed "because it’s Doraemon."  Presently residing in France, the actor apparently had been watching the  French-dubbed anime.

            

In
the one-hour episode entitled "Pirates Special! The Great Decisive
Battle of the Pirates: A South Seas Love Story" slated to air on TV
Asahi on June 29, Doraemon and his friends end up in the Caribbean at
the end of the 16th century. Series character Shizuka-chan
falls in love with a handsome pirate named Kenneth, who knows Pirate
Captain Johnny. Yep! It is indeed Johnny Depp who will be portraying
Pirate Captain Johnny.

Gatchaman To Be Made into a CGI-Film

Friday, June 22nd, 2007

Those of you who are fans of the classic Gatchaman series  will be happy to know that it will be made into a CGI animated feature.

            

Writing the script will be Robert Mark Kamen, who wrote the  scripts of the Karate Kid films and Luc Besson’s The Fifth Element.  Helming the project will be TMNT director Kevin Munroe.

            

Being a huge fan of Gatchaman, here’s hoping that the  film will be up to par with Final Fantasy VII: Advent Children and Onimusha:  Dawn Of Dreams.

Gakuen Alice Manga to be released in English by TokyoPop

Wednesday, June 20th, 2007

To those who have been hankering for a Second Season of Alice  Academy, here is a better alternative for you: Buy the manga.

 

TokyoPop
has announced that they will begin releasing the English version of
this popular manga and anime starting January of next year. To be
published monthly, one can easily catch up with the latest goings on in
the lives of Mikan, Hotaru, Natsume and Ruka.

New Bleach Movie for December

Monday, June 18th, 2007

Following the success of the first Bleach movie,  entitled Bleach: Memories of Nobody, TOHO has announced that they will  release a second movie on December 2007.

   

In line with the premiere of the second Bleach movie,  a special deluxe DVD edition of Memories of Nobody will be released in  September 5, which will contain a special booklet, nineteen miniature posters,  and two commentary discs.

AN EXCLUSIVE INTERVIEW WITH PUPIL

Tuesday, June 12th, 2007

Alternative
rock band Pupil has been a regular fixture in ANIMAX’s events, starting
with the highly successful "Fashion Ability" last year. This has led
fans to wonder "What’s up?" and "Has Pupil sold their soul to Animax?"

Well,
you can wonder no more as tomorrow night June 8 before "Music Station",
ANIMAX will unveil the video of its official theme song "Set Me Apart"
written and performed by Pupil.

I got to chat with Pupil guitarist Yani Yuzon about the making of "Set Me Apart"…

1. How did this collaboration between Pupil and ANIMAX start?

ANIMAX
actually commissioned us to do the song. They were looking for a band
that best exemplifies ANIMAX and what it stands for. If you think about
it Pupil is off the beaten track. We’re not obscure, but we’re not pop.
The Animax folks liked the sound of our first album "Beautiful Minds."
They got us for some events first to build the relationship and to see
the crowd’s response to our music. We got really awesome response.

2. What inspired you to write "Set Me Apart"?

Since
the song was commissioned, the Animax execs did not have to pick from
the material that we already have. It’s custom made for the channel.
Ely Buendia and band manager Diane Ventura, all of us, in the process
of making the song, we watched the channel a lot and to discover
underlying themes in the shows that they have. It all boils down to "Be
different", which is the catch phrase of the network. Obviously we
didn’t want to come up with a song that’s entitled "Be Different". We
needed to find something that would sound more like us, describing the
lifestyle that the channel portrays. We just emailed back and forth,
rough drafts, the demo, the final song, until we came up with the
video. Then we did recordings. Everything you see here is by and large
the product of email.

3. Who came up with the concept for the video?

Animax and the production studio in

Malaysia

asked us for a concept. The whole band had a meeting. Then we suggested
that it’s typical in a video that a band plays together. Let that be in
the end. Instead, we divide the time of the video into vignettes where
we’re situated in different worlds. "Different Worlds" is another song
off our album. We needed to capture this idea. As you will see in the
video tonight, Ely was in an elevator that turned into a spaceship that
turns into a robot. I’m a post futuristic gunslinger. Dok is like King
of the Waterworld. Bogs is the urbanite drummer. Initially, I was going
to be the water guy because I surf. But I always wore the hat. So they
figured "You’re better off as the gunslinger". I like guns and stuff.

We filmed here on green screen. Then All the footage was brought to

Malaysia

where all the post production took place. The post-prod was a lengthy process as you can tell.

4. Are you happy with the results?

Yes,
I think the video was really well made. Very stylish. But the guys in
the band tease me a lot though. They would say "Thanks that you made us
extras in your video." I would say, "Why? We’re all equal." We always
joke about it. You’ll understand when you see the video.

5. This has been a monumental job for you, especially since Ely Buendia is still recovering from a heart attack.

Yes,
it took half a year until today to make the song and the video for "Set
Me Apart". I am grateful that we had a lot of continued network
support. The Animax guys stuck through with us through Ely’s heart
attack. They had faith in the band and how the band can be the voice
that represents their viewership. They trusted that in spite of
everything else. And I thank them for their trust and their patience.