Anime Music Appreciation 101 (Part One): Classical and Popular Music in Anime
Saturday, September 29th, 2007
[PHOTO CREDITS: La Corda D'Oro ~ Primo Passo ~ Copyright as indicated]
No anime is
complete without music. Whether it be through the opening (OP) and
ending (ED) themes or the background music (BGM), anime has helped in
bringing a wide variety of music forms to an audience, who would not
usually listen to such types of music.
Let’s take a little trek through the "anime-verse" and see why anime and music mix soooo well…
For Love Of The Classics
Let’s
admit it. Classical music is not really a favorite of the youth of
today. However, did you know that classical music has played important
roles in many of the anime that you consider faves?
If you’ve been mesmerized by Kimiko Itoh’s haunting "Follow Me" from Ghost In The Shell 2: Innocence,
the song is actually set to Spanish composer Joaquin Rodrigo’s second
movement from Concerto de Aranjuez. Jazz versions of this tune were
made popular by jazz legend Miles Davis and the James Last Orchestra.
Listen very closely to the whimsical ending theme "DuDiDuWa ~ LaLaLa" by Kotoko from The Adventures of Tweeny Witches. It is just a modern remake of the classic waltz "Beautiful Blue Danube" by Johann Strauss.
The dramatic background score of Gankutsuou/The Count of Monte Cristo comes
from Pyotr Tchaikovsky’s "Manfred Symphony" and Gaetano Donizetti’s
tragic opera "Lucia Di Lamermoor." Classical music lovers would readily
recognize Robert Schumann’s "Traumerei" as among the piano pieces that
Eugenie Danglars performed in her first concert.
One
of my favorite classical pieces is the Ninth Symphony by Ludwig Van
Beethoven. This rousing score has been played on many anime. There was
even a happy hippy version of it. Just check out the ED theme of Tokyo Godfathers. One memorable anime in which it was performed, however, was in Angelica’s death scene in the final episode of Gunslinger Girl. For
such a grandiose song to be sung by both the cast and as BGM during
Angelica’s final moments gave it a poignant yet still tragic atmosphere.
Recently, there has been a classical music revolution in anime. Princess Tutu may be considered as the Fantasia of
anime, with its lovely ballet sequences and its extensive use of
popular classical ballet scores. The delightful romance comedy Nodame Cantabile focuses on an aspiring young conductor and an eccentric pianist. Fantasy and classical music again combine in the shoujo anime La Corda D’Oro ~ Primo Passo ~
* * * * *
Pop Goes Anime!
Writing
and performing the opening and ending themes of popular anime have
served as a springboard to a lucrative recording career for many
J-artists. No anime soundtrack would be complete without an OP or ED
theme by L’Arc~En~Ciel and TM Revolution. The same goes for songbirds
Sowelu and Crystal Kay. In fact, you can’t really call yourself a
J-artist if you haven’t done a song for an anime.
Pop music has also served as the focus of many popular anime. One good example is Gravitation, which remains a favorite among fans even up to now. The soundtrack of Gravitation boasts the great vocals of Kinya Kotani, who also did the OP themes of Tsubasa Reservoir Chronicles. Another stellar anime soundtrack is that for the anime NANA. If you prefer hard rock, there’s Beck: Mongolian Chop Squad. I must admit to having a particular fondness for Oji The Section Chief, with its obvious tribute to one of the guitar gods of heavy metal, Michael Schenker.
In
recent years, EVERYONE wants to jump into the anime bandwagon, even if
they are not Japanese. Because of the success of anime in western
countries, even popular composers and artists from the U.S. and Europe
have contributed to the making of anime soundtracks and themes. A
perfect example is award-winning composers Hans Zimmer and Mark
Mancina, who wrote the brilliant score for Blood+.
Jean-Jacques
Burnel, composer, vocalist and bass player of the British New
Wave/Alternative Rock band The Stranglers, not only wrote the score for
Gankutsuou/The Count of Monte Cristo, he also wrote and sang the
OP and ED themes of this now classic anime, namely "We Were Lovers" and
"You Won’t See Me Coming", respectively.
British music icon David Sylvian wrote and sang the haunting ED theme "For The Love Of Life" for the anime suspense/thriller Monster. Popular Eighties New Wave band Duran Duran’s debut hit "Girls On Film" was used as the OP theme for the Japanese release of Speed Grapher. Recently, the Red Hot Chili Peppers hit "Dani California" was used as the theme song for Death Note Movie 2: The Last Name.
As you have seen from last week’s blog, Daft Punk joined forces with anime director Leiji Matsumoto to create Interstella 5555.
Presently
racing up the charts is "Inori ~ You Raise Me Up" by Korean American
R&B singer Lena Park. The song itself was written and composed by
Rolf Lovland of the Irish band Secret Garden, with lyrics by Irish
novelist Brendan Graham. Even popular British soprano Sarah Brightman
is all set to release "Be With You: Itsumo Soba ni", the theme song for
the latest Pokemon movie.
Now…what happens when a seiyuu of a popular Japanese anime turns recording star?
[CONTINUED IN PART TWO]

